Mototake was born the second son of Motonao in the 1st Year of Kannen (1748). His elder brother was the renowned Motohira and his younger brother was Motoyasu. They worked in the Shizu Soshu den influenced by Mondosho Masafusa and Ippei Yasuyo.

The works of Mototake and Motoyasu are quite few due to the two brothers frequently assisting Motohira in producing Daisaku/Daimei for him. In the Satsuma To Meisaku Shu on page 106 there is a Juyo Token which shows the collective effort of the three men. Dated works by Mototake range from Tenmei to Bunka until in Bunka 13 (1816) when he died at age 68. His grandson, Nidai Mototake worked during the Keio period at the end of the Bakumatsu Period.


This sword was illustrated in the Shinshinto Volume of the Nihonto Koza in 1967. Here are the comments on this wakizashi:

'Shinogi zukuri, hamon is a mixture of nie fukai togari ha and gonome midare, and kinsuji is seen. This has a robust form and construction, and is really sound. Mototake was a (sic)pupil[younger brother] of Satsuma Motohira, and he was a toko who made very few swords, but he was very skilled.'
                                                                       
In the same book, on page 385, there is this further entry on Mototake:

'He was the younger brother of Yamato Kami Motohira, and he made a special skill of nie fukai midare in the same manner as did his older brother Motohira. The reason that the name of Motohira was known  under this heaven was also because he had such an excellent younger brother.  

                                                         Work Style

The work style of the Oku Motohira group was a large notare, midareba hamon with profuse nie spilling out to become ara nie. But this nie is good quality and not rough like lesser makers. The jigane is mokume becoming matsukawa with imozoru (Satsuma photo vine) This last point is an indicator of Satsuma swords particulary of this group. Mototake formal rank is chujo saku but because he produced a lot of daisaku /daimei for Motohira, his actual ability is a bit above this. Motohira is rated jo-jo saku.
On Motohira its says;
.....'a watery o-hada can be seen, and there is ji-nie. Ara-nie in the ji is a another distinctive feature.

We can see this feature on this sword by Mototake.

Torokusho (Sword License) for the Mototake

This is the sword license for the Mototake that was issued on  March 26th 1951 # 709. However on January 27th 2003 the orginal licensed paper was damaged and a new paper was issued by the Kagoshima BOE. However the orginal number was kept. Its also interesting that this license was issued in the home province of the sword. This means because of the early number it was never taken out of Japan. In Japan after the sword and gun law came into effect; this was really done to prevent National and Important Cutural Properties from leaving the country; ex-daimyo and kuge families usually were the very first ones to register their swords and I think this Mototake was an daimyo stock from the castle at Kagoshima.

Kicho Kodogu Ninteisho for the Mototake Mounts

Here is an early Kicho Kodogu paper dated November 28th 1964 (Showa 39) for the mounts belonging to the Mototake. These mounts had always been with the sword and had never been seperated since the sword was made in 1792.

Tokubetsu Hozon Token Kanteisho for Mototake

This the Tokubetsu Hozon Paper that was issued to the Mototake Wakizashi on January 29th 2009.

Satsuma mounts of Mototake

There is a very good book on Satsuma Smiths put out by the Kagoshima Branch of the NBTHK in 1970 called Satsuma To Meisaku Shu. Most of the swords featured interestingly in the book were owned by the Kagoshima Branch members.

My Mototake is a case in point. This sword made in 1792 was registered in Kagoshima in 1951 and is numbered # 709 and very early number indeed. In 1964 the mounts of this sword were papered Kicho Kodogu by a certain Furukawa whose name is on the ninteisho whom owned this sword before me. I suspect he was the owner immediately before me and if so, from Kagoshima.
Here is a picture of the orginal mounts. Note how Satsuma they are....Satsuma samurai greatly liked gaudy rakish colours to show their spirit.

Ura of the Wakizashi

Here is the reverse of the same wakizashi showing the date:

This reads Kansei 4 Year of the Rat Autumn (1792)

Omote of the Wakizashi

This reads Oku Satsuyo Shi Mototake (Mototake a retainer of the Satsuma (sic) domain)

Sayagaki by Tanobe Michihiro



薩摩国奥元武 - Satsuma no Kuni Oku Mototake

生茎六字與寛政四年紀有之 - Original nakago with six-character mei and a date
of Kansei 4th year.
兄元平ガ多作ナルニ比シ同工ノ遺例稀ナルハ蓋シ兄元平ノ代作ニ任ジタル者ナラン -
Compared with the fact that his brother Motohira made many swords, this
smith’s works are rare. That may be because he made swords for his brother
Motohira as a Daisaku maker.
本作ハ肉置豊カナリテ地刃ノ出来宜敷同工ノ眞面目ヲ發揮セル優品也 - The blade
is beefy and its Jiba is good. It is an excellent work which shows the
steadiness of the smith.
刃長壹尺八寸七分余有之 - Blade length is a little more than 1-shaku 8-sun
7-bu.

惟時庚寅暦葉月 - August 2010
探山邊道識 +kao - Tanzan